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People called what these artists created “outlaw music.” The results were country’s first Platinum-certified records, exciting and fresh stylistic breakthroughs and the attraction of a vast new youth audience to a genre that had previously been by and for adults.
In the eighties, The Highwaymen was formed by Johnny Cash, Willie Nelson, Kris Kristofferson and Waylon Jennings. “I was out to unapologetically ‘channel’ Waylon as best as I could.” says Earle.
She has recorded with such diverse artists as Linda Ronstadt, Daniel Lanois, Bob Dylan, Mark Knopfler, Neil Young, Gram Parsons, Willie Nelson, Dolly Parton, Roy Orbison, Ryan Adams, Beck, Elvis Costello, Johnny Cash, Lucinda Williams, Lyle Lovett and most recently Rodney Crowell.
A longtime social activist, Harris has lent her voice to many causes.
We didn’t include the Angels, because they don’t really have a closer at the moment, and didn‘t include a few others because we weren’t feeling their songs. “Amance” — Marco Barrientos Not a conventional entrance song, but it’s the most electrifying.
The ninth begins as a party, quickly dies down when Familia gets into a jam, then picks back up when he escapes.
“This record was all about me on the back pick-up of a Fender Telecaster on an entire record for the first time in my life. I certainly don’t sound like Waylon Jennings.” “I moved to Nashville in November of 1974, and right after that Willie Nelson’s (Earle’s 1986 breakthrough album) wound up being kind of my version of those types of songs,” Earle recalls.
“This new record started because T Bone Burnett called me and wanted a specific song to be written for the first season of (the TV series) It was for the character whose brother was in prison.
Century Award recipient, Emmylou Harris’ contribution as a singer and songwriter spans 40 years.